VIDEOS
The title of Gordon Stout's work Wood That Sings reflects the composer's concept of the quality of sound from the marimba. Inspired by various works for solo guitar, this 2-mallet composition gives players a chance to exploit the expressive capabilities of the marimba.
Gr@w£ix (Grawlix) uses loops in a similar way to DJs and other live performers. Material is played, recorded, and played back while something new is recorded on top of this loop. This process continues any number of times to stack material and create the effect of multiple players from just one person. The material of Gr@w£ix is inspired by electronic dance music fused with a contemporary percussion style. The term grawlix refers to a string of typographical symbols (such as %@$&*!) used in place of an obscenity, especially in comics.
"Anything Worthwhile is Perishable" uses randomized echoes and manipulated repetitions to create a lush soundscape. Several notes on the vibraphone are “prepared” by placing various metallic objects on the keys. The buzzing this creates mimics the mbira, a traditional African instrument associated with the Shona people of Zimbabwe. This movement is based around a mbira solo and the scale used by the performer is based on the traditional Nyamaropa tuning of the mbira.
Von Hansen performing an improvisation on Rita Blitt's My Friend.
Rita Blitt (b. 1931), My Friend from the Drawing with Sculpture series, 1978 Aluminum sculpture; 82 x 58 x 5 in. Rita Blitt Legacy Collection, Mulvane Art Museum
“This sculpture followed the lines of an early two-hand drawing. Because of my desire to make sculpture with sound, my friend, percussionist, composer Michael Udow, showed me how I could have rods attached to the back, which when plucked would vibrate and hit each other making sound. My Friend was later used in a vibraphonist performance to be plucked and stuck with mallets.” -Rita Blitt “Rita was working on the sculpture, “My Friend,” (1978) and contacted me as she envisioned this work as a sound sculpture playable by visitors. I described the kinetic sound sculptures of Harry Bertoia; we discussed the possibility that other component parts of the sculpture might also produce interesting sounds when struck. Rita and her team fabricated the addition of rods that could be struck or plucked. Rita considers “My Friend” as her first collaborative exploration with another artist; I was pleased to be a small part of that interaction.” - Dr. Michael Udow
Audio